{"id":1525,"date":"2025-05-12T04:19:18","date_gmt":"2025-05-12T04:19:18","guid":{"rendered":"https:\/\/antiquerugstudio.com\/blog\/?p=1525"},"modified":"2025-05-13T04:24:32","modified_gmt":"2025-05-13T04:24:32","slug":"uniquely-artistic-ziegler-sultanabad","status":"publish","type":"post","link":"https:\/\/antiquerugstudio.com\/blog\/2025\/05\/12\/uniquely-artistic-ziegler-sultanabad\/","title":{"rendered":"Uniquely Artistic Ziegler Sultanabad"},"content":{"rendered":"\n
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A Sultanabad Carpet that is truly wild and uninhibited. Style trends come. Style trends go. Great, individual art is forever. Art is not something that has to be hung on a wall and intently or idly contemplated. Sometimes it turns up elsewhere and it is no less creative because of it. Great art happens and it is up to us to appreciate it. Some rugs are great art, some are barely acceptable craft.<\/p>\n\n\n\n

21242
Persian Ziegler Sultanabad
10’8″ x 13’3″
circa 1880<\/p>\n\n\n\n

The Persian carpet revival began in the 1870\u2019s and in the 1880\u2019s the English firm of Ziegler established a substantial presence in and around the town of Sultanabad in Arak province in western Iran. Although a comprehensive firm in its provision of dyed yarn, other materials, designs, and cash orders to a vast network of local village weavers, it never organized fixed workshops. Every Ziegler is a folk art production, some more regimented than others. Sometimes something truly exceptional comes through and this is one.<\/p>\n\n\n\n

No cartoon, no design sampler here, just the work of a handful of true artists. The wild, eccentric design has no obvious center among the red and ivory escutcheon palmettes, or among the middle blue vertical pendanted cartouches. Everything tilts to one side, but not vertigo-inducing, just enough to give a sense of irregular motion. There is nothing like it in the vast corpus of published Ziegler Sultanabad carpets of the 1882-1930 period. There is nothing like it among Persian carpets period.<\/strong><\/p>\n\n\n\n

The rare yellow border takes as its pattern slices of the allover Herati field pattern omnipresent in Persian rugs, but here much less compact and structured, more crazy and informal. The jogs in the minor guard stripes indicate the \u201clazy lines\u201d indicative of weaver changes and one day\u2019s work. Who directed the artisans, or did they work on their own? Was eccentricity catching?<\/p>\n\n\n